A RECTANGULAR INSCRIBED DUAN INKSTONE
A RECTANGULAR INSCRIBED DUAN INKSTONE

CYCLICAL JIAZI DATE, CORRESPONDING TO 1924

Details
A RECTANGULAR INSCRIBED DUAN INKSTONE
CYCLICAL JIAZI DATE, CORRESPONDING TO 1924
Of rectangular form, the upper surface smoothly polished with an elongated crescent indentation at one side forming the ink pool, one of two longer vertical sides incised with an image of a scholar holding a staff and a short inscription reading: Jin Dongxin xiansheng huaxiang, Jiazi zhongchun Bairanzhi lan, 'Image of Master Jin Dongxin, mid Spring of the Jiazi year (by) Bairanzhi', the corresponding vertical side with a long inscription ending with the same Jiazi year corresponding to 1924; with a hardwood stand and a burlwood embellished cover, incised with bamboo sprays below an inscription
8 7/8 in. (19.5 cm.) long, Japanese wood box

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Lot Essay

Wu Junqing (1844-1927), better known as Wu Changshuo, is one of the most prominent and influential artists of modern Chinese painting. Wu was a talented and accomplished artist who integrated traditional Chinese painting styles of early masters such as Xu Wei, Chen Daofu, Bada Shanren and Shi Tao, with the art of poetry, calligraphy and seal engraving. His style names were known as Fulu, 'Cottage of the Urn', and Laofu, 'The old urn'. These names were a reference to an ancient excavated urn which was given to the artist by his friend Jin Fujiang. Although the urn was primitive and without design or inscription, Wu Changshuo was so impressed with the object that he wrote a poem in its praise.

As indicated by the long inscription, which was incised when the artist was over 80 years old, the text expounds on the painting of bamboo by Qu Yingshao, a well-known Yixing potter (1780-1849), after those of Jin Nong (1687-1763), one of eight great masters known as the 'Eight Eccentrics of Yangzhou'.

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