A REGENCY BRASS-INLAID ROSEWOOD SIDE CABINET
A REGENCY BRASS-INLAID ROSEWOOD SIDE CABINET

Details
A REGENCY BRASS-INLAID ROSEWOOD SIDE CABINET
The rectangular breakfront projecting top above a panelled frieze centred by breakfront panels inlaid with scrolling foliage and flanked by flowerheads above a gadrooned edge, with four doors enclosing two adjustable mahogany shelves to each side and two further adjustable long mahogany shelves to the centre each with inset panels inlaid with profusely scrolling foliage and flanked by fluted pilasters headed by strigil-fluted volutes, on a platform with a gadrooned edge, on paw feet, lacking the central section of the lower edge frieze moulding, the underside of the top relined
36 in. (91.5 cm.) high; 77 in. (195.5 cm.) wide; 18½ in. (47 cm.) deep

Lot Essay

The commode, brass-inlaid in the Louis Quatorze manner named after André-Charles Boulle (d. 1732), reflects the French antique fashion promoted in the early 19th Century by cabinet-makers such as Thomas Parker (d. 1830), who from 1805 acted as 'Cabinet and Buhl Manufacturer' to the court and may have made the case for Isaac Mott's 'Patent Sostente Grand' piano supplied in 1817 for the Marine Pavilion, Brighton of George, the Prince Regent, later King George IV (J. Harris, et al, Buckingham Palace, London, 1968, p. 133). Related arabesque boulle panels feature on the bookcase and furnishings supplied around 1820 for the 'Music Room' at Tatton Park, Cheshire by Gillows of London and Lancaster (Cheshire County Council, Tatton Park, 1992, p. 11).

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