A SILK BROCADE PANEL
A SILK BROCADE PANEL
A SILK BROCADE PANEL
1 更多
A SILK BROCADE PANEL
4 更多
PROPERTY FROM A PRIVATE ENGLISH COLLECTION
A SILK BROCADE PANEL

SAFAVID IRAN, 17TH CENTURY

细节
A SILK BROCADE PANEL
SAFAVID IRAN, 17TH CENTURY
The silver ground woven with offset rows of floral sprays with orange and yellow flowers, within later applied contemporaneous floral meander borders, wear to the silver ground, mounted behind acrylic
26 ¾ x 17in. (68 x 43cm.)
来源
Collection of Dikran Garabed Kelekian (d.1951)
Acquired by the present owner from Ferro Ettehadieh, New York, 1983
出版
Jules Guiffrey, Jules and Gaston Migeon, La Collection Kelekian: Étoffes & Tapis d’Orient & de Venise, Paris, 1908, pl. 39
更多详情
Some countries prohibit or restrict the purchase and/or import of Iranian-origin property. Bidders must familiarise themselves with any laws or shipping restrictions that apply to them before bidding. For example, the USA prohibits dealings in and import of Iranian-origin “works of conventional craftsmanship” (such as carpets, textiles, decorative objects, and scientific instruments) without an appropriate licence. Christie’s has a general OFAC licence which, subject to compliance with certain conditions, would enable a buyer to import this type of lot into the USA. If you intend to use Christie’s licence, please contact us for further information before you bid.

荣誉呈献

Sara Plumbly
Sara Plumbly Director, Head of Department

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This brocade relates closely to one with similarly naturalistic flowering plants now in the Khalili Collections (TXT 238; Stephen Cohen (ed.), Textiles, Carpets and Costumes, volume 2, London, 2023, pp.248-49, no. 117). In the note for that textile Cohen comments on the borrowing of such naturalistic floral motifs from Mughal textile design. The style of drawing on our brocade can be compared to that on a mid 17th century velvet fragment in the Victoria and Albert Museum, London (inv.no. 320A-1898) and silk and metal-thread brocade in the Keir Collection (K.1.2014.1207.1). Whilst there is little to separate the style of 17th century Mughal and Safavid silks, Cohen goes on to argue that the Safavid examples, such as the present lot, exhibit a higher level of technical sophistication. Three further similarly designed floral silk brocades attributed to Safavid Iran are illustrated in Carol Bier (ed.), Woven from the Soul, Spun from the Heart, exhibition catalogue, Washington D.C., 1987, pp.166-171, nos 15-17.

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