A SMALL CLOISONNÉ ENAMEL PEAR-SHAPED VASE, HU
These lots have been imported from outside the EU … 顯示更多
清乾隆 掐絲琺瑯仿古饕餮紋小瓶 「乾隆年製」款來源: 紐約蘇富比1989年5月31日拍賣, 拍品30號紐約佳士得2005年9月20日拍賣, 拍品113號

QIANLONG FOUR-CHARACTER MARK CAST IN RELIEF WITHIN A SQUARE AND OF THE PERIOD (1736-1795)

細節
清乾隆 掐絲琺瑯仿古饕餮紋小瓶 「乾隆年製」款

來源:
紐約蘇富比1989年5月31日拍賣, 拍品30號
紐約佳士得2005年9月20日拍賣, 拍品113號
4 3/8 in. (11.2 cm.) high
來源
Sotheby's New York, 31 May 1989, lot 30
Christie's New York, 20 September 2005, lot 113

注意事項
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

拍品專文

The present lot appears to be related to three cloisonné zun that have the same Qianlong four-character mark cast in relief and archaistic decoration that includes golden-olive taotie masks, as well as subsidiary taotie masks in blue. See The Complete Treasures of the Palace Museum - 43 - Metal-bodied Enamel Ware, Hong Kong, 2002, p. 119, no. 115; H. Brinker and A. Lutz, Chinese Cloisonné: The Pierre Uldry Collection, The Asia Society Galleries, New York, 1989, no. 268; and the Alfred Morrison Collection, Fonthill House, sold by order of the Lord Margadale of Islay, D.L., Christie's, London, 9 November 2004, lot 45.
The decoration and shapes of all of these vessels was inspired by ancient bronzes, and reflect the fashion for archaism during the Qianlong reign. They also display highest quality craftsmanship that seems to apply to all Qianlong cloisonné enamel vessels bearing the same cast mark.

更多來自 「雍容獨秀 - 重要亞洲私人珍藏中國藝術瑰寶」

查看全部
查看全部