A SPANISH GOLD-DAMASCENED AND ENAMEL METAL FRAME
Prospective purchasers are advised that several co… 显示更多
A SPANISH GOLD-DAMASCENED AND ENAMEL METAL FRAME

PROBABLY TOLEDO, LATE 19TH CENTURY

细节
A SPANISH GOLD-DAMASCENED AND ENAMEL METAL FRAME
PROBABLY TOLEDO, LATE 19TH CENTURY
Modelled with an openwork arch supported by damascened and enamelled columns on either side, the surface densely decorated with different floral and geometric motifs, two confronted silver peacocks in the upper spandrels, the reverse with an openwork tripod stand with cusped terminals, the lower edge of the frame engraved 'A M M'
25½ x 15¼in. (64.8 x 38.8cm.)
注意事项
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

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Adam Kulewicz
Adam Kulewicz

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拍品专文

While the Zuloaga family were perhaps the best known craftsmen of damascene objects in the late 19th and early 20th centuries, several other workshops were active in the era including additional ateliers in Eibar and Toledo. Notably, the period saw the creation of decorative objects inspired by the elaborate architecture of the Alhambra Palace in Granada in which architectural elements were reproduced and reinterpreted in myriad objects. While the present mirror does not appear to be based after a specific architectural element, its elaborate inlay and multifaceted arch recall the thresholds of the Patio de Alberca and the Patio de los Leones, of the Alhambra palace. A comparable mirror from Eibar, dating to the early 20th century and of smaller proportions, is illustrated in J. Lavin, The Art and Tradition of the Zuloagas Spanish Damascene from the Khalili Collection, Oxford, 1997, p. 176, no. 73.

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