A STANDING NOBLE
A STANDING NOBLE
A STANDING NOBLE
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A STANDING NOBLE

DECCAN, INDIA, LATE 17TH CENTURY

Details
A STANDING NOBLE
DECCAN, INDIA, LATE 17TH CENTURY
Opaque pigments heightened with gold on paper, set within gold and polychrome rules, laid down on speckled paper, the verso plain with brief undeciphered devanagari inscription
Painting 9 ¼ x 5 5⁄8in. (23.7 x 13.6cm.); folio 12 x 7 ½in. (30.5 x 19cm.)

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Sara Plumbly
Sara Plumbly Director, Head of Department

Lot Essay


In the late 17th century, around the time of the Mughal conquest of the Deccan, there was a sudden proliferation of portrait paintings. Many of these were likenesses of Mughal and Deccani rulers, often imitations of earlier known portraits, which were compiled into albums for European patrons in the Deccan as well as for export. Our portrait depicts an unidentified Muslim courtier from the reign of Emperor Jahangir.

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