**A SUPERB IMPERIAL CARVED IVORY SNUFF BOTTLE
Prospective purchasers are advised that several co… Read more
**A SUPERB IMPERIAL CARVED IVORY SNUFF BOTTLE

IMPERIAL, PALACE WORKSHOPS, BEIJING, QIANLONG INCISED FOUR-CHARACTER SEAL MARK WITHIN A DOUBLE SQUARE AND OF THE PERIOD (1760-1795)

Details
**A SUPERB IMPERIAL CARVED IVORY SNUFF BOTTLE
IMPERIAL, PALACE WORKSHOPS, BEIJING, QIANLONG INCISED FOUR-CHARACTER SEAL MARK WITHIN A DOUBLE SQUARE AND OF THE PERIOD (1760-1795)
Finely carved in high relief with a water-side landscape, depicted with figures in a canopied boat manoeuvring between the rocky shores of an inlet, with further groups of figures standing on shore before a country dwelling, all between key-fret bands, stopper
2 11/16 in. (6.8 cm.) high
Provenance
Gerry Mack, New York, 1978
Literature
George Frederick Kunz, Ivory and the Elephant in Art, in Archaeology and in Science, 1916, p. 119
Chinese Snuff Bottles No. 3, p. 35, figs. 26 and 27
Arts of Asia, September-October 1987, p. 146
100 Selected Chinese Snuff Bottles from the J & J Collection, front cover and no. 83
JICSBS, Autumn 1989, front cover
Moss et. al., The Art of the Chinese Snuff Bottle, The J & J Collection, vol. 2, no. 285
Arts of Asia, November-December 1995, p. 128
Silver Kris, January 1997, p. 48, fig. 2
Arts of Asia, November-December 1998, p. 82, fig. 23
JICSBS, Autumn 1998, p. 15, fig. 45
Asian Art, September 1999, p. 14, fig. 15
JICSBS, Winter 2001, p. 19, fig. 69
Exhibited
Christie's London, 1987
Christie's New York, 1993
Empress Place Museum, Singapore, 1994
Museum fur Kunsthandwerk, Frankfurt, 1996-1997
Percival David Foundation of Chinese Art, London, 1997
Naples Museum of Art, Florida, 2001 - 2002
Portland Museum of Art, Portland, Oregon, 2002
International Asian Art Fair, Seventh Regiment Armory, New York, 2003
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

Lot Essay

This is an outstanding example of the superbly carved ivory snuff bottles confidently attributed to the Beijing Palace workshops of the Qianlong and Jiaqing periods. These workshops appear to have been reasonably productive during the first half of the Qing dynasty.

The group of bottles represented by the present lot, forms a core of the finest ivory snuff bottles, and indeed the finest carvings in any organic material from Qing China. They also frequently have four-character reign marks typical of the Court of the Qianlong and Jiaqing periods.

The quality of carving on this group, as seen by the present bottle, is exquisite. There is an extraordinary degree of technical competence, allowing the artist complete control of his medium and a remarkable sculptural plasticity. A near identical carved ivory bottle is illustrated by Robert Kleiner, Chinese Snuff Bottles, The White Wings Collection, no. 143.

In the present bottle, all the finest qualities of what we may assume is Palace style are exhibited. The diagonal line of the boat set against the formalized wave ground is emphasized by the immense effort made by the boat boy at the back to manoeuvre it, while the calmer group of figures at the front provide both an upward, abstract thrust and counterpoint to the dynamic position and struggle of the boat boy. Every figure seems to come alive with individual personality and the whole scene is invested with great presence, as if the events depicted really meant something, not only to the figures involved, but to the artist enabling them to readily assume the same importance for the audience.

For other ivory snuff bottles, carved in a similar style, a few of which may be considered Imperial, see the remarkable group in the collection of the Marquess of Exeter, illustrated by Hugh Moss, Chinese Snuff Bottles No. 6, 01-06; five of which are also illustrated by Robert Kleiner, Snuff Bottles from the Burghley House Collection, nos. 138-142; Bob C. Stevens, The Collector's Book of Snuff Bottles, nos. 767 and 786; Robert Hall, Chinese Snuff Bottles, no. 1; Robert Kleiner, Chinese Snuff Bottles from the Collection of Mary and George Bloch, nos. 187-191; and Chinese Snuff Bottles No. 1, front cover and pp. 10-11, where the group was first identified and others and noted.

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