Lot Essay
The typically Swedish transitional style of this commode as well as its band-inlays to the breakfront are closely related to the work of both Jonas Hultsten, maître in 1773, and Niclas Korp, maître in 1771. Both use identical cut-cornered tablets with indented short side to the central panel and commodes using an identical apron-mount are recorded by both masters. It is, however, Korp in particular, who also used large plain veneered fields in rosewood and padouk. Comparable works are illustrated in T. Sylvén, Mästarnas Möbler, Stockholm, 1996, pp. 189 and 212.