AN ART DECO 'TUTTI-FRUTTI' BROOCH, BY CARTIER

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TUTTI FRUTTI Few jewels have captured the imagination and enthusiasm of connoisseurs and collectors as the Tutti Frutti creations by the Maison Cartier. These pieces are directly inspired by the intricate Mogul carving and craftsmanship found throughout the decorative arts of India from the 16th century onwards. Jacques Cartier was to make his first trip to India in 1911. This visit had a profound effect on the jewels produced by the firm throughout the 1920s and 30s and indirectly affected the entire field of jewellery design which Cartier so strongly influenced. Alongside the rather severe, geometric Art Deco style, mainly executed in diamonds, Cartier produced vibrant Tutti Frutti jewels, full of colour and flowing naturalistic design. Summing up the influence that Mogul jewellery had on the designs of Cartier, Ettagale Blauer wrote, "Though strongly influenced by the Indian jewellery, the Cartier designs are marked only by the most finely extracted essence of that style: the spirit and colour are reproduced, but we see no trace of the coarseness of the original design." Such was the skill of the Cartier workshop at its zenith, reworking such exotic influences into consummately elegant jewels. THE PROPERTY OF A LADY

細節

AN ART DECO 'TUTTI-FRUTTI' BROOCH, BY CARTIER
Set with carved emerald, ruby and sapphire leaves and buds, to the pavé-set diamond vine leaf to the clasp with baguette diamond detail, circa 1935, 3.8 cm long
Signed Cartier London, 66995
In original fitted case by Garrard & Co. (2)

注意事項

Items which contain rubies or jadeite originating in Burma (Myanmar) may not be imported into the U.S. Please be advised that a purchasers inability to import any such item into the U.S. or any other country shall not constitute grounds for non-payment or cancellation of the sale. With respect to items that contain any other types of gemstones originating in Burma (e.g., sapphires), such items may be imported into the U.S., provided that the gemstones have been mounted or incorporated into jewellery outside of Burma and provided that the setting is not of a temporary nature (e.g., a string).

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Cecile Bruggen

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