AN IMPERIALLY INSCRIBED BURLWOOD-INSET, EMBELLISHED, GILT AND ENAMELLED SILVER BOWL
AN IMPERIALLY INSCRIBED BURLWOOD-INSET, EMBELLISHED, GILT AND ENAMELLED SILVER BOWL
AN IMPERIALLY INSCRIBED BURLWOOD-INSET, EMBELLISHED, GILT AND ENAMELLED SILVER BOWL
AN IMPERIALLY INSCRIBED BURLWOOD-INSET, EMBELLISHED, GILT AND ENAMELLED SILVER BOWL
3 More
Prospective purchasers are advised that several co… Read more
AN IMPERIALLY INSCRIBED BURLWOOD-INSET, EMBELLISHED, GILT AND ENAMELLED SILVER BOWL

QIANLONG YUYONG MARK, DATED TO BINGXU CYCLICAL YEAR CORRESPONDING TO 1766 AND OF THE PERIOD

Details
AN IMPERIALLY INSCRIBED BURLWOOD-INSET, EMBELLISHED, GILT AND ENAMELLED SILVER BOWL
QIANLONG YUYONG MARK, DATED TO BINGXU CYCLICAL YEAR CORRESPONDING TO 1766 AND OF THE PERIOD
The bowl is supported on a straight foot rising gracefully to tall waisted sides and an everted rim. The exterior sides of the burlwood band are decorated with five silver-cast flower heads inlaid with coral, malachite and lapis lazuli. The lower section, base and foot are all silver, where the exterior of the lower section are applied with two rows of 18 enamel characters in tones of blue and red, the foot with a band of coral and malachite, and the base with a four-character mark reading 'Qianlong yuyong' (for the personal use of Qianlong) and the date. The silver interior is incised with a peony spray.
5 3/4 in. (14.5 cm.) diam.
Provenance
A European Collection, according to collection number on the base
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory, tortoiseshell and crocodile. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

Brought to you by

Marco Almeida (安偉達)
Marco Almeida (安偉達) SVP, Senior International Specialist, Head of Department & Head of Private Sales

Lot Essay

The imperial poem inscribed on the present bowl is recorded in Qing Gaozong yuzhi shiwen quanji: yuzhishi, vol. 3, juan 53 (fig. 1).

The present bowl's distinctive form calls to mind the offering bowls known as qingshuiwan, `Pure Water Bowls’, used in Buddhist ceremonies. The form was first produced in ceramic wares of the Xuande period, and was also popular in the Yongzheng period with many known porcelain examples with doucai, blue and white, faux bois and simulated coral decoration. The bowl is also of similar form to vessels used for Tibetan butter tea. Compare to a Tibetan tsaku-tsaya wooden bowl of similar form that is inscribed with a different imperial poem by the Emperor Qianlong, see Monarchy and Its Buddhist Way: Tibetan-Buddhist Ritual Implements in the National Palace Museum, Taipei, 1999, p.209, no. 111. Another Tibetan tsaku-tsaya wooden bowl that bears the Qianlong yuyong mark on the base and inscribed with an imperial poem is in the Beijing Palace Museum collection, which does not appear to be published but can be found on its website.

The historical CITES paperwork for this lot is not available and it will not be possible to obtain CITES export permits to ship it to addresses outside Hong Kong post-sale. The item can only be shipped to addresses within Hong Kong or collected from our Hong Kong saleroom and office. Please contact the department for further information.

More from Important Chinese Ceramics and Works of Art

View All
View All