.jpg?w=1)
.jpg?w=1)
拍品专文
While there would seem to be no extant drawing of a cup of this form amongst his many known drawings, the present cup is very much in the tradition of Reinhold Vasters. Born near Aachen, Vasters entered his mark as a goldsmith in that city in 1853. He was very shortly thereafter appointed restorer at the Aachen Cathedral Treasury. His early work seems to have concentrated on church silver which he marked, very straight-forwardly, R. VASTERS in a rectangular punch. By the late 1860s he seems to have given up making new church silver and turned to working mainly on unmarked secular pieces in the Gothic and Renaissance style. It is particularly interesting that, in 1865, the Cathedral authorities ordered an early 16th Century pax in the Treasury to be altered to a clasp. According to Stephen Beissel, writing in 1909, a dozen or so copies were made at that time.
From this period on, Vasters seems to have become increasingly wealthy and by 1880 was publicly exhibiting works of art from his personal collection. Indeed, the 1902 Dusseldorf exhibition, 'Kunsthistorische Ausstellung', included no less than 500 pieces owned by him. As Edmund Renard observed at the time of the exhibition 'Among the smaller private collections that of the Aachen goldsmith Reinhold Vasters offers a highly characteristic picture - throughout one notes the specialist and technician.'
From this period on, Vasters seems to have become increasingly wealthy and by 1880 was publicly exhibiting works of art from his personal collection. Indeed, the 1902 Dusseldorf exhibition, 'Kunsthistorische Ausstellung', included no less than 500 pieces owned by him. As Edmund Renard observed at the time of the exhibition 'Among the smaller private collections that of the Aachen goldsmith Reinhold Vasters offers a highly characteristic picture - throughout one notes the specialist and technician.'