AN ITALIAN MOTHER-OF-PEARL AND IVORY-INLAID EBONY, FRUITWOOD AND GREEN-STAINED WOOD MARQUETRY CENTRE TABLE
AN ITALIAN MOTHER-OF-PEARL AND IVORY-INLAID EBONY, FRUITWOOD AND GREEN-STAINED WOOD MARQUETRY CENTRE TABLE
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Prospective purchasers are advised that several co… Read more
AN ITALIAN MOTHER-OF-PEARL AND IVORY-INLAID EBONY, FRUITWOOD AND GREEN-STAINED WOOD MARQUETRY CENTRE TABLE

ATTRIBUTED TO LUIGI AND ANGELO FALCINI, FLORENCE, MID-19TH CENTURY

Details
AN ITALIAN MOTHER-OF-PEARL AND IVORY-INLAID EBONY, FRUITWOOD AND GREEN-STAINED WOOD MARQUETRY CENTRE TABLE
ATTRIBUTED TO LUIGI AND ANGELO FALCINI, FLORENCE, MID-19TH CENTURY
Overall inlaid, the rectangular moulded top centred by reclining addorsed figures surrounded by foliate sprays and flowers within a poly-lobed reserve flanked to each side by circular reserves depicting parrots on foliate and floral branches, with a conforming encadrement of birds and foliate motifs, and ribbon-tied floral bouquets to the angles, the frieze similarly inlaid and on square tapering legs inlaid with conforming floral motifs headed by foliage, the underside to the table branded 'G 73'
33 in. (84 cm.) high; 59½ in. (151 cm.) wide; 33 in. (84 cm.) deep
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

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Lot Essay

The present table, with its distinctive marquetry decoration, can be attributed to Luigi and Angelo Falcini, Florentine specialists of marquetry furniture active from 1830-1860. Similar to much of their known work, the design and quality of the ivory and mother-of-pearl inlay on the present example recalls the oeuvre of the Flemish-born Leonardo van der Vinne (d. 1713), who had played an active role in the Medici's Opificio delle Pietre Dure.

The workshops of the Falcini family were established in the early 19th century in the village of Campi, near Florence, by Gaetano Giuseppe Falcini (d. 1846). In the late 1820s, Luigi, the latter's eldest son (d. 1861), opened a bottega in the via del Fosso, Florence, and was later joined by his brother Angelo (d. 1850). The first piece to be exhibited by the Falcini brothers was a prize-winning marquetry table shown at the Academy of Fine Arts in Florence in 1836, and subsequently purchased by Grand Duke Leopold II for his private collection. The firm continued to exhibit at the Academy throughout the 1840s and completed important commissions for a number of prominent patrons, among which included Prince Anatole Demidoff, the Duchess of Castigliano and Countess Borghese. After the death of Angelo Falcini in 1850, Luigi was joined by his two sons, Alessandro and Cesare, who continued the business until 1882.

A virtually identical table from Stobo Castle, Peeblesshire, with figures of Adam and Eve flanked by birds, foliage, and flower-filled bouquets, was sold Sotheby's, London, 11 March 1994, lot 20 (£20,000). A closely related table with similarly inlaid frieze and tapering legs was sold Sotheby's, Monaco, 27 June 1983, lot 1079C, and illustrated in A. Gonzalez-Palacios, Il Tempio del Gusto, Milan, 1986, vol. II, p. 211, pl. 399. An additional table of related design was sold Sotheby's, London, 6 December 2006, lot 137 (£28,800).

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