拍品專文
It was during his sojourn in Siena from 1586-93 that Andreani created his two monumental chiaroscuro woodcuts after Domenico Beccafumi’s famous mosaics for the pavement of the Duomo, The Sacrifice of Isaac and Moses Breaking the Tablets of the Law. The present lot comprises the lower half of the Moses composition, and depicts, from left to right: Aaron fashioning the Golden Calf from the proffered gold and jewellery of the Israelites, and Moses about to dash the Tablets of the Law to the ground upon his discovery of the idolatry of the people. This impression is printed in black only, without the letters on the Tablet of the Law and without the dedication to Cardinal Scipione Gonzaga (1542-1593) in the tablet at the lower edge . We are aware of only five complete examples (British Museum; Horne Museum, Florence; Metropolitan Museum, New York; Museum of Fine Art, Boston; and Uffizi, Florence) and three impressions of the lower half only (Museum of Fine Art, Boston; Rijksmuseum, Amsterdam; and the present one).