Attributed to Francesco Salviati (Florence 1510-1563 Rome)
Attributed to Francesco Salviati (Florence 1510-1563 Rome)
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This lot is offered without reserve.
Attributed to Francesco Salviati (Florence 1510-1563 Rome)

A battle between warriors and a unicorn

細節
Attributed to Francesco Salviati (Florence 1510-1563 Rome)
A battle between warriors and a unicorn
with attribution and inscription 'Perino del Vaga/ Pierino Del Vaga/ Niobe' (on the mount) (ii)
black chalk, pen and brown ink, brown and grey wash, heightened with white, trimmed as an oval
10 1/8 x 12 3/8 in. (25.7 x 31.5 cm); and one other drawing:
(ii) Italian School, 16th (?) Century, The death of Niobe's children, black, red and white chalk on (formerly) blue paper
(2)
來源
(i) John Watkins Brett, London (1805-1863); Christie's, 8 April 1864, lot 519, 'G. Romano – Figures attacked by a unicorn' (for 2s 6d to Bloxam).
M.H. Bloxam, by whom given to Rugby School Art Museum.
(ii) William Mayor (died 1874) (L. 2766), no. 108, as Perino del Vaga.
Unidentified collector's mark, initials 'C.M' (L. 598a).
Partial unidentified mark (not in Lugt).
M.H. Bloxam, by whom given to Rugby School Art Museum; with his inscription 'Rugby School art museum e dono Matt: H: Bloxam' (on the mount).
出版
(i) Anne Popham, typescript catalogue, no. 50, as school of Giulio Romano, possibly Perino del Vaga.
(ii) Anne Popham, typescript catalogue, no. 57, as attributed Perino del Vaga.
注意事項
This lot is offered without reserve.

拍品專文

Previously associated with Giulio Romano and Perino del Vaga, this sheet was attributed to Salviati many years ago by Professor Paul Joannides in an annotation on the mount. While the drawing is now hard to read due to its extensive tears and losses, the technique in which it is made is entirely characteristic of Salviati's drawings. The fine but confidently drawn contours in pen and brown ink in combination with wash and delicately applied strokes of white heightening can be seen, for example, in Salviati's drawing of a Lamentation in the Art Gallery of Ontario, Toronto (inv. 81/4) and in one in the Albertina (inv. 491), showing a Roman triumph with in the centre a horse that is close to the unicorn in the present sheet (L. Mortari, Francesco Salviati, Rome, 1992, nos. 547 and 558, ill.). The size and format of the drawing suggest that it was made in preparation for a small relief, perhaps in rock crystal, or in metal - silver or bronze – to be set into a casket or piece of furniture. Several drawings made with this purpose by Perino are known, which may account for the earlier attribution to him of the present drawing.

We are grateful to Professor Paul Joannides for his assistance in cataloguing this drawing and for suggesting the attribution to Francesco Salviati.

更多來自 Old Masters/New Scholars: Works of Art to Benefit Rugby School

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