THE PROPERTY OF THE NATIONAL MARITIME MUSEUM
Circle of Daniel Mytens (1590-1642)

Details
Circle of Daniel Mytens (1590-1642)

Portrait of King Charles I, full-length, in a red silver-embroidered doublet with slashed sleeves and red and silver-emboidered breeches, with a white lace ruff and doeskin gloves and boots

inscribed 'Carolus D.G. Mag./Britanniae/Francia/et Hiberniae Rex/Fidei Defensor/Aetat 29/anno 1629'

80 x 51½in. (203 x 131cm.)
Provenance
William Lenthall M.P., and by descent to
William John Lenthall of the Priory, Burford; Christie's, 13 July 1833, lot 31 (23gns. to Tach).
Lord Northwick and by descent to
Captain E.G. Spencer-Churchill; Christie's, 25 June 1965, lot 68, as Mytens (550gns. to Sabin).
Literature
A Catalogue of Pictures, Works of Art etc. at Northwick Park, 1864 (reprinted 1908), no. 295.
T. Borenius, A Catalogue of the Collection of Pictures at Northwick Park, London, 1921, no. 347 (as 'Mytens').
A Concise Catalogue of Oil Paintings in the National Maritime Museum, Woodbridge, 1988, no. BHC4228(b).

Lot Essay

The present picture relates to Mytens standard types of the King after his accession to the throne in 1625. Perhaps the prime version of the present composition, signed and dated 1629, is in the Metropolitan Museum of Art, New York (K. Baetjer, European Paintings in the Metropolitan Museum of Art, I, p.126, no. 6.1289, illus. II, p. 248). Another version remains in the Collection of the National Maritime Museum (National Maritime Museum Cat, op.cit., no. BHC2606(d)). Perhaps the earliest version of this type, dated 1628, is in the Royal Collection at Windsor Castle (O. Millar, Tudor and Stuart and Early Georgian Pictures in the Royal Collection, London, 1963, no. 118). William Lenthall (d.1662), who owned the picture, was the Speaker of the House of Commons in the Long Parliament when Charles I attempted to arrest five of its members. He was also a prominent figure in both the Commonwealth and the Protectorate, and was later instrumental in the Restoration. He possessed a notable collection of pictures at his house, Burford Priory, which he had acquired from Lord Falkland in 1634.

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