Dante Gabriel Rossetti (1828-1882)
Dante Gabriel Rossetti (1828-1882)

Study for Benedick and Beatrice from 'Much Ado about Nothing'

細節
Dante Gabriel Rossetti (1828-1882)
Study for Benedick and Beatrice from 'Much Ado about Nothing'
with inscription 'D.G. Rossetti/Study for Benedick and/Beatrice' (on an old label attached to the backboard)
pencil on paper
11 x 14 in. (28 x 35.6 cm.)
來源
H.C. Marillier.
Anonymous sale; Christie's, London, 25 January 1952, part of lot 80.
Anonymous sale; Sotheby's, London, 12 July 1967, lot 286 (£30 to Stone Gallery).
with Stone Gallery, Newcastle, 1967 (£316 to Lowry).
L.S. Lowry, R.A.
with Peter Nahum, London, 2001.
出版
H.C. Mariller, Dante Gabriel Rossetti, Illustrated Memorial of his Art and Life, London, 1899, p. 35, illustrated p. 36.
O. Doughty and J.R. Wahl (ed.), Letters of Dante Gabriel Rossetti, 4 vols., Oxford, 1965 and 1967, p. 92.
V. Surtees, The Paintings and Drawings of Dante Gabriel Rossetti: A Catalogue Raisonné, Oxford, 1971, vol. 1. p. 15., no. 46.; vol. 2, pl. 32.
W. Fredeman (ed.), The Correspondence of Dante Gabriel Rossetti, The formative years 1835-1862, vol. 1, 1835-1854, Cambridge, 2002, pp. 151, 152.
展覽
Manchester, City Art Gallery, Loan Exhibition of Works by Ford Madox Brown and the Pre-Raphaelites, Autumn 1911, no. 180.
London, Tate Gallery, Paintings and Drawings of the 1860 Period, April - July 1923, no. 190.
Japan, Tokyo, Nagoya and Kurume, Rossetti, 1990-91, no. 117

榮譽呈獻

Bernice Owusu
Bernice Owusu

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拍品專文

The present drawing dates from 1850 and is a detailed compositional study for an unrealised watercolour depicting the last scene from Shakespeare's Much Ado about Nothing, where the two lovers receive the good wishes of those who had conspired to bring them together. In a letter to his brother written on 3rd September 1850 Rossetti wrote, 'Having found it impossible to get the Browning picture ready for next Exhib: I have designed the subject I mentioned to you from Much Ado about Nothing, and shall begin it in a very few days. I think it will come well'. (Fredeman, op. cit., p. 151).

The drawing was initially owned by H. C. Marillier (1865 - 1951), the Managing Director of Morris and Co. from 1905-40 and who was the purchaser of Kelmscott House, Hammersmith, William Morris' home in 1897. He was a leading authority on tapestries and wrote one of the earliest books on Rossetti. It was subsequently in the collection of the celebrated artist L. S. Lowry (1887-1976) who was a noted collector of Pre-Raphaelite paintings and drawings, and in particular the work of Dante Gabriel Rossetti.

We are grateful to John Christian for his help in preparing this catalogue entry.

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