細節
FRANCESCO MONTELATICI, DIT CECCO BRAVO (FLORENCE 1601-1661 INNSBRUCK)
Sainte Brigitte de Suède
pierre noire, sanguine
20,5 x 14,7 cm (8 1/8 x 5 7/8 in.)
來源
Francesco Maria Nicolò Gabburri (1676-1742), Florence (inscription de sa main ‘Montelatici Francesco detto Cecco Bravo/ ne parla Orlandi 195’) (verso de l'ancien montage).
Alfred Normand (1822-1909), Paris ; sa vente, Christie’s, Monaco, 20 juin 1994, lot 27 (comme Cecco Bravo).
Collectionneur anonyme (marque ‘FB’ avec feuille de ginkgo biloba, pas dans Lugt) (sur le montage).
出版
Renaissance to Futurism. A selection of Italian Drawings 1500-1920, cat. exp., Stephen Ongpin Fine Art, London, 2015, sous le n° 28.
展覽
Paris, Galerie La Scala, Femmes. Œuvres sur papier de collections privées françaises, réunies dans un cabinet d’amateur, juin 1991, n° 8.
Cambridge, Fitzwilliam Museum, Lisbonne, Centro Cultural de Belém, et Porto, Museu Nacional Soares dos Reis, European Master Drawings from Portuguese Collections, 2000, n° 50 (catalogue par N. Turner).
更多詳情
FRANCESCO MONTELATICI, CALLED CECCO BRAVO, SAINT BRIDGET OF SWEDEN, RED AND BLACK CHALK
The drawing is characteristic of Cecco Bravo’s technique, applied in a soft and delicate manner. At some point the sheet was mounted on a backing sheet bearing an inscription (‘Montelatici Francesco detto Cecco Bravo/ ne parla Orlandi 195’), presumably by the Florentine collector Francesco Maria Nicolò Gabburri (see Turner, op. cit., p. 118). A similar reference to Pellegrino Orlandi’s Abecedario Pittorico can also be found on the backing of another drawing by Cecco Bravo, representing Saint Agatha and stylistically close to the present sheet (with Stephen Ongpin Fine Art, London; see Renaissance to Futurism. A Selection of Italian Drawings, 1500-1920, London, 2015, no. 28, ill.).
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