George Louis Palmella Busson Du Maurier, R.W.S. (1834-1896)
No VAT will be charged on the hammer price, but VA… Read more
George Louis Palmella Busson Du Maurier, R.W.S. (1834-1896)

'Two Thrones'

Details
George Louis Palmella Busson Du Maurier, R.W.S. (1834-1896)
'Two Thrones'
signed 'Du Maurier' (lower right) and inscribed 'Oh, beauty, peerless as thou art,/And wide thy range and keen thy dart, And meek the captives of thy bow, Inconstant beats the manly heart The present Bard's extremely so! His wisdom, strength, and valour meet, (the Bard amongst them!) at thy feet, To kneel in homage, as of old; Yet turn a rival queen to greet Whose crown is of a rarer gold. Preen as thou will thy feathers fine, A gift is hers, by grace, divine, Even more potent to enthral, Oh bird of paradise, than thine The hearts and soul of one and all! Ah! what avail thy tawny crest, The silver shimmer of the breast, The glitter of thy gilded wing, If, yielding to the Bard's behest, The nightingale vouchsafe to sing!' (on an old label attached to the backboard) and with an accompanying key and list
pencil and watercolour with gum arabic and with scratching out
14 x 20 in. (35.6 x 50.8 cm.)
Provenance
with Agnew's, London, 1884, sold to H.P. Grafton, M.P. (250 gns).
Literature
L. Ormond, George du Maurier, London, 1969, p. 371.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

Although we would have been familiar with her profile through contemporary reproductions, du Maurier did not meet Lily Langtry until 2 November 1879, at the wedding of Effie Millais, Sir John Everett Millais's daughter, to Major William James. In a letter to his old friend, Thomas Armstrong, a fellow artist who is also depicted in this watercolour on the following day, du Maurier recalls 'I had a good study of Mrs Langtry, back, front & both profils [sic]- neither Poynter nor Millais have done her justice.'

Du Maurier's poem, Two Thrones, inscribed on the backboard, is one of several that he wrote which elevates the 'divine gift' of music, an activity central to his domestic and creative life. Gathered round the piano listening to his elder daughter Beatrice are her husband, Charles Hoyer Millar, whose adoring gaze she meets, and behind him with his white head bent, du Maurier's friend Canon Alfred Ainger, an eccentric canon of Saint Paul's and a fellow resident of Hampstead. Behind him, and directly behind Mrs Langtry is Henry James, the distinguished American novelist who was another close friend of the artist, whilst the figure to the extreme right of the watercolour is du Maurier's other son-in-law, Arthur Lewwllyn Davies, who with his wife died tragically young.

Du Maurier executed few watercolours, but after contributing illustrations to the Cornhill Magazine and Once a Week, secured his reputation as the social cartoonist for Punch, in succession to John Leech who died in 1864.

We are grateful to Professor Leoné Ormond for her help in preparing this catalogue entry.

More from British Art on Paper

View All
View All