拍品专文
A preparatory study for the altarpiece of circa 1742 at Vigo d' Anaunia. Morassi comments that the relationship of the two projects illustrates the 'estrema facilità' of the artist's compositional method
细节
Giovanni Antonio Guardi (1699-1760)
Alternative Designs for an Altarpiece depicting the Virgin and Child with Saint Nicholas of Bari and other Saints
black and red chalk, pen and brown ink, red wash, watermark device
224 x 274mm.
Alternative Designs for an Altarpiece depicting the Virgin and Child with Saint Nicholas of Bari and other Saints
black and red chalk, pen and brown ink, red wash, watermark device
224 x 274mm.
来源
L. Zatzka (L. 2672)
Sir Francis Watson
Anon. sale, Christie's, 9 Dec 1980, lot 104, illustrated (#4,200)
Sir Francis Watson
Anon. sale, Christie's, 9 Dec 1980, lot 104, illustrated (#4,200)
出版
F.J.B. Watson, Moschini, Francesco Guardi, Apollo, 1957, pp.188-9 T. Pignatti, Un Disegno di Antonio Guardi donato al Museo Correr, Bollettino dei Musei Civici Veneziani, 1-2, 1957, pp. 25 and 30, no. 13
T. Pignatti, Canaletto and Guardi at the Cini Foundation, Master Drawings, I, 1963, p. 50
A. Morassi, Guardi I Disegni, Venice, 1975 and 1984, no. 15, fig. 14
T. Pignatti, Canaletto and Guardi at the Cini Foundation, Master Drawings, I, 1963, p. 50
A. Morassi, Guardi I Disegni, Venice, 1975 and 1984, no. 15, fig. 14
展览
Paris, Petit Palais, La peinture italienne au XVIIIe siècle, 1960, no. 296
Venice, Fondazione Giorgio Cini, Canaletto e Guardi, 1962, no. 52
Venice, Palazzo Grassi, Mostra dei Guardi, 1965, no. 1, illustrated
Toronto, The Art Gallery of Ontario and New York, The Pierpont Morgan Library, Italian Drawings from the Collection of Duke Roberto Ferretti, 1985-6, no. 60, illustrated
Venice, Fondazione Giorgio Cini, Canaletto e Guardi, 1962, no. 52
Venice, Palazzo Grassi, Mostra dei Guardi, 1965, no. 1, illustrated
Toronto, The Art Gallery of Ontario and New York, The Pierpont Morgan Library, Italian Drawings from the Collection of Duke Roberto Ferretti, 1985-6, no. 60, illustrated