Lot Essay
The slightly oblique vertical lines which Tunnard often introduced into landscape-format paintings here provide a window for the viewer to focus on the wreck. The slanted horizon suggests the viewer is also on a ship - possibly the second wreck of the title. The longer one looks through the window, the more the red structure in the middle [which contrasts strongly with the blues of the turbulent sea] demands attention. Tunnard used a blood-red highlight against a bluish background in several works to suggest past or imminent death in water, examples include the well-known Davy Jones' Locker, 1946, [Leeds City Art Gallery & Museums] and Sea Trout Rising, 1954, [University of Hull].
B.W.
B.W.