Lot Essay
This work is one of four closely related, four-panel screens painted in 1986. In Rafu/Hanga, p. 142, the artist states that in these similar, yet independent works, he continued a study of nudes he had abandoned seven years earlier. Finding a common theme, the fleeting nature of beauty, Kayama combined nudes and cherry blossoms in a linear rhythm of swirling petals and dancing figures.