Kobayashi Kiyochika (1847-1915) , Kobayashi Kiyochika (1847-1915)

The Art of Propaganda: Sino-Japanese battle triptychs Japan and China fought the first Sino-Japanese War during 1894 and 1895, primarily over control of Korea, which China had long regarded as a tributary state. Although brief in duration, lasting only eight months from August 1894 until May 1895, the war galvanized the Japanese with patriotic fervor and a thirst for territorial expansion. A succession of quick and easy victories, marred by relatively few (5,000) casualties, proved the clear-cut superiority of Japan's military forces. Woodblock-print artists, benefiting from an insatiable public demand for news from the front, did much to reinforce the ugly chauvinistic perception of China as backward and primitive, populated by a cowardly and ignoble species. Kobayashi Kiyochika produced more than 80 triptychs for the Sino-Japanese War. The Japanese victory on land at Pyongyang in northern Korea on September 16, 1894 cleared the Chinese troops out of Korea and was followed by the important naval battle in the Yellow Sea (September 17), in which the Chinese suffered heavy losses. On October 26, the Japanese put down a pontoon bridge across the Yalu River and captured Jiuliancheng on the Chinese side of the river (see illustration above), an early victory in the Manchurian campaign. On November 21 they also captured the great Port Arthur by attacking from the landward side. Approaching Weihaiwei on the Shandong Peninsula, where the northern fleet of the Chinese navy was concentrated, the Japanese met fierce resistance at the strongly fortified Liu-kung Island. The town of Weihaiwei, however, was deserted by the Chinese and was occupied by the invaders on February 2, 1895. Intense cold, snow and ice numbed the Japanese troops. The Japanese fleet made Rongcheng Bay, in the extreme northeast part of the Shandong Peninsula, its headquarters, and daring night attacks by Japanese torpedo boats sank many Chinese vessels. The West was astounded and the Chinese admiral surrendered to the Japanese flagship, the Matsushima, on February 12th. The battle of Niuzhuang involved fierce house-to-house fighting in heavy snow. Toward the end of March a column of Japanese troops seized the Pescadores Islands near Taiwan. The Treaty of Shimonoseki ending the war was signed on April 17, 1895. China recognized the independence of Korea, and ceded the Liaotung peninsula (modern Lianing province), the islands of Taiwan and the Pescadores to Japan. The treaty was drafted by John A. Foster, former American Secretary of State, advising the Qing dynasty. With victory, Japan became the first Asian imperialist power. For further reading see Elizabeth de Sabato Swinton, In Battle's Light: Woodblock Prints from Japan's Early Modern Wars, exh. cat. (Worcester: Worcester Art Museum, 1991).

Kobayashi Kiyochika (1847-1915)

细节

Kobayashi Kiyochika (1847-1915)
Ten triptychs, Waga yasen hohei Kyurenjo bakuei kogeki (Japanese field artillery firing at Jiuliancheng), 1894.11, signed and sealed Kiyochika and published by Inoue Kichijiro (Teikado); second, Kowashi Rikosho danpan no zu (Ambassador Li in peace negotiation meeting), 1895, signed and sealed Kiyochika and published by Fukuda Hatsujiro; third, Wagagun shin'ya Taiwan joriku no zu (Our army landing at midnight, Taiwan), 1895, signed and sealed Kiyochika; fourth, Ikaiei kogeki hojo no shingun (The army advancing on ice to attack Weihaiwei), 1895, signed and sealed Kiyochika and published by Shogetsudo (Matsunaga Sakujiro); fifth, Gazan gekisen Anjo to shingeki no zu (Battle at Asan [in Korea]: Advance at Ansong River crossing), 1894.9, signed and sealed Kiyochika and published by Matsuki Heikichi; sixth, Ikaiei hyakushaku gaisho ni Odera shosho funsen su (Major General Odera fighting at the "Hundred-foot Cliff" [fortress] at Weihaiwei), 1895, signed and sealed Kiyochika and published by Fukuda Kumajiro; seventh, Kokai no tatakai waga Matsushima no suihei shi ni nozonde tekikan no sonpi o tou (At the Battle of the Yellow Sea, our sailors of the ship Matsushima, facing death, asking if the attack was a success), [1894.9], signed and sealed Kiyochika; eighth, Chosen daisenso no zu (The great Korean war), 1882.8, signed Hoensha Kiyochika hitsu and published by Hara Taneaki; ninth, Gyuso setchu daigekisen no zu (The fierce battle in the snow at Niuzhuang), 1895.2, signed Kiyochika and sealed Kobayashi Kiyochika; tenth, Kowa danpan kaiken no zu (Meeting for peace negotiations), 1895.4, signed and sealed Kiyochika and published by Inoue Kichijiro (Teikado)--generally very good impressions and color, some margins trimmed, stained, soiled, rubbed, losses, tears, worming
oban tate-e: 35.3 x 23.7cm., each approx. (30)

拍品专文

For another example of the first see Goto Shigeki, ed., Kiyochika, vol. 12 of Ukiyoe taikei (Compendium of ukiyo-e) (Tokyo: Shueisha, 1974), pls. 11-13.