THE PROPERTY OF A GENTLEMAN 
A SET OF SIX POLYCHROME-DECORATED SATINWOOD OPEN ARMCHAIRS

INCLUDING FOUR GEORGE III AND TWO OF LATER DATE THE GEORGE III CHAIRS ATTRIBUTED TO GEORGE SEDDON

Details
A SET OF SIX POLYCHROME-DECORATED SATINWOOD OPEN ARMCHAIRS
Including four George III and two of later date
The George III chairs attributed to George Seddon
Each with drapery-swagged pierced interlaced shield-shape splat painted with peacock feathers and upspringing acanthus, the ouscrolled arms with further foliage and peacock feathers above a pearled scrolled terminal and spreading foliate plinth, the caned seat with squab cushion covered in watered pink floral silk with blue and grey stripe, the bowed seat-rail painted with further feathers, on rossette headed square tapering legs painted with peacock feathers and on tapering feet, decoration re-freshed, the four George III chairs each branded LORD LEIGH and two further inscribed Lord Leigh Stoneleigh Abbey and with batton carrying holes, the two later chairs with fake brand LORD LEIGH, restorations, three legs spliced, two splats restored, one later chair with both stiles split, missing two squab cushions (6)
Provenance
Probably supplied to the Hon. Mary Leigh (d.1806), during her tenure of Stoneleigh 1786-1806
Thence by descent at Stoneleigh in the 19th Century
Anonymous sale, in these Rooms, 24 April 1980, lot 127

Lot Essay

The chairs have richly fretted and looped backs, of veil-draped shield form, and are centred by a feathered badge incorporating that of Juno's peacock. The pattern reflects the elegant chair patterns designed around 1780 by the architect James Wyatt (d.1815) and adopted by George, Prince of Wales, later King George IV (F. Fergusson, 'Wyatt Chairs', Burlington Magazine, July 1977, p. 495, fig. 35).
Wyatt's designs were adopted by Gillows and this pattern relates to their 'Feather and drapery' back illustrated in their 1788 Estimate Sketch Book now preserved at the Westminster Public Library (L. Boynton, Gillow Furniture Designs 1760-1800, Royston, 1995, no. 273).
The chairs originally formed part of a suite at Stoneleigh Abbey, Warwickshire, of which one settee survives in a private collection in the USA and another was acquired in 1929 by the Metropolitan Museum, New York (F.L. Hinckley, The More Significant Georgian Furniture, New York, 1990, pl. 46). Four further armchairs were sold in these Rooms on 1 December 1977, lot 79. The suite is likely to have been commissioned by the Hon. Mary Leigh (d.1806) following her inheritance of the Stoneleigh estate from her brother in 1786 and can be attributed to George Seddon Sons & Thomas Shackleton of Aldersgate Street on account of their close relationship to the suite of satinwood 'Elbow Chairs' japanned with peacock feathers supplied by them in 1790 to Hauteville House, Guernsey (D. FitzGerald, Georgian Furniture, London, 1969, no. 116).

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