FRANZ FIEDLER (1885-1956); YOUSUF KARSH and others

Details
FRANZ FIEDLER (1885-1956); YOUSUF KARSH and others

Tonal separation portrait of a woman wearing a head scarf, late 1920s-early 1930s

Solarized gelatin silver print, image size 7 3/8 x 6¼ in., signed and inscribed Tontrennüng Dürch Dem Sabattier-Effekt ['Tonal separation using the Sabatier-Effect] in pencil in margin, annotated in pencil and with photographer's ink credit stamp Franz Fiedler Dresden A 24 Godeffroystr. 45 on verso; with ten gelatin silver prints including six portraits of artists by Yousuf Karsh, each approx. 12½ x 10½ in., annotated in pencil and with photographer's copyright stamp on verso; four gelatin silver prints by Emil Schulthess (2) and Robert Häusser (2), 6½ x 9½ in. and 11½ x 9½ in., annotated and with photographers' credit stamps on verso. (11)
Literature
Naylor (ed.), Contemporary Photographers, p. 295

Lot Essay

German-born, Fiedler studied photography in various studios including that of his father and the master portrait photographers Rudolf Dührkoop and Hugo Erfurth. In 1920 after serving in the German Army during WWI, he set up his own studio in Dresden where he concentrated on portraits, nudes, reportage and photography for advertisements. During the 1920s he experimented with gum and carbon print processes and later oil and bromoil print processes. With the outbreak of WWII, Fiedler withdrew from public life and concentrated on technical photographic research. Sadly, the majority of his work from the 1920s-30s was completely destroyed in the 1945 air-raids on Dresden.

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