AN IVORY 'APSARAS' FIGURE AND TWO IVORY AUDIENCE TABLETS

LATE QING DYNASTY

Details
AN IVORY 'APSARAS' FIGURE AND TWO IVORY AUDIENCE TABLETS
late qing dynasty
The figure gracefully carved with carefully arranged hair and dressed in wide-sleeved flowing robes fastened with a long sash at her waist, holding a loose flower basket in her hand; the audience tablets of a narrow curved form gently tapering at one end, one incised with a garden landscape on the inward-facing side and the Eight Immortals and Shoulao riding on mythical beasts on the reverse, two fingers of the figure's left hand missing, age cracks and small damage on the tablets
the figure 9in. (23cm.) high, the tablets 21in. (53cm.) long (3)
Provenance
Sassoon Collection
Literature
The Catalogue of Sassoon Chinese Ivories, compiled by S.E. Lucas, London 1950; the figure: vol.1, no.219; and the tablets: vol.3, no.898-9

Lot Essay

The figure represents Tian Nu San Hua, 'the celestial maiden scattering flowers'. Tian Nu are female Apsaras, or Devas, often known as fairies or goddesses. Here she is leaning forward as if to see where a flower had fallen.

Audience tablets, hu, made of jade, ivory or wood, date back to very early times when they were made of bamboo and carried at the waist by every man of any standing for jotting down notes. During the Han dynasty they came to be regarded as a badge of rank, those of ivory reserved for feudal princes and higher officials, and from the 6th century these Hu were also known as Shou Ban ('hand tablet'). A high official would hold such a tablet when having audience with the Emperor, clasping it at its base so that it was mouth-high and writing on it the Imperial commands, and so they became known more specifically as audience tablets and were treasured as heirlooms. The Chinese expression "there is no ivory tablet in this household" (jia wu xiang hu) means that no-one in the family has held high office.

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