Details
Pierre Milan and René Boyvin (circa 1500-1557 and 1525-1580/98)
The Nymph of Fountainebleau, after R. Fiorentino (Zerner P.M. 7; The French Renaissance in Prints, no. 72)
engraving, circa 1554, a very good impression, watermark small Gothic Initial (?), trimmed inside the platemark at top and bottom and just into the subject at the left and right and 're-margined', losing part of the head and wing of the putti, also lacking the decorative borders of the text, a repaired tear lower right, a central vertical and horizontal fold, a shorter horizontal crease lower right, other lesser defects
S. 297 x 505mm.
The Nymph of Fountainebleau, after R. Fiorentino (Zerner P.M. 7; The French Renaissance in Prints, no. 72)
engraving, circa 1554, a very good impression, watermark small Gothic Initial (?), trimmed inside the platemark at top and bottom and just into the subject at the left and right and 're-margined', losing part of the head and wing of the putti, also lacking the decorative borders of the text, a repaired tear lower right, a central vertical and horizontal fold, a shorter horizontal crease lower right, other lesser defects
S. 297 x 505mm.