Details
Aristide Maillol
L'Art d'Aimer d'Ovide: One Plate (G. 313)
lithograph printed in sanguine, 1935, on laid paper, from the set of eight, a proof aside from the edition of 50 printed in sanguine (there was also an edition of 275 printed in black), with margins, a deckle edge at the right, generally in good condition, L. 210 x 225mm.; Femme nue, lithograph printed in sanguine, by A. Maillol; Fernande les Mains croisées (L. & C. 95), by A. Dunoyer de Segonzac, etching, 1923, signed, numbered 90/100; and La Friction au Gant de Crin (G. 21), by J.-L. Forain, lithograph printed in colours, 1895 (4)
L'Art d'Aimer d'Ovide: One Plate (G. 313)
lithograph printed in sanguine, 1935, on laid paper, from the set of eight, a proof aside from the edition of 50 printed in sanguine (there was also an edition of 275 printed in black), with margins, a deckle edge at the right, generally in good condition, L. 210 x 225mm.; Femme nue, lithograph printed in sanguine, by A. Maillol; Fernande les Mains croisées (L. & C. 95), by A. Dunoyer de Segonzac, etching, 1923, signed, numbered 90/100; and La Friction au Gant de Crin (G. 21), by J.-L. Forain, lithograph printed in colours, 1895 (4)