A RECTANGULAR ENAMEL PLAQUE OF THE ENTOMBEMENT

FROM THE PÉNICAUD WORKSHOP, 16TH CENTURY

Details
A RECTANGULAR ENAMEL PLAQUE OF THE ENTOMBEMENT
FROM THE PÉNICAUD WORKSHOP, 16TH CENTURY

Stamped on the reverse with a 'P' surmounted by a crown; in a gilt-metal frame with suspension loop.
Cracks; small loss to lower left corner; restorations.
2½in. (6.3cm.) high
Provenance
Sigismond Bardac, Paris
With Seligmann, Paris
American Art Association, Anderson Galleries, 24 Nov. 1933, sale no. 4066, lot 377
Thomas Fortune Ray, Esq.
Literature
COMPARATIVE LITERATURE:
P. Verdier, The Walters Art Gallery - Catalogue of the Painted Enamels of the Renaissance, Baltimore, 1967, p. XIX

Lot Essay

The scene represents the body of Christ being lowered into the tomb on a winding-sheet by Joseph of Arimathaea and Nicodemus at His head and feet. On the other side of the sarcophagus are the Virgin and the Holy Women, together with St. John the Evangelist.
The use of hallmarks as a form of signature was made possible by the introduction of transparent counter-enamels which began to be used in the early 1530s. For further information on the Pénicaud stamp, see Verdier, loc. cit.

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