THE PROPERTY OF THE EARL OF RADNOR
A CARVED MARBLE RELIEF OF THE ABDUCTION OF HELEN OF TROY

ENGLISH, SECOND HALF 18TH CENTURY

Details
A CARVED MARBLE RELIEF OF THE ABDUCTION OF HELEN OF TROY
ENGLISH, SECOND HALF 18TH CENTURY

In a breche violette marble surround.
The foot of one figure lacking.
24in. (61cm.) high, the relief
30½ x 44in. (77.4 x 111.8cm.) overall
Literature
COMPARATIVE LITERATURE:
M. Whinney, Sculpture in Britain 1530-1830, rev. J. Physick, London, 1988, pp. 322-336, figs. 234, 239.

Lot Essay

The linear quality evident in the present relief, as well as the subject and frieze-like nature of the composition, point to an origin among English neo-classicist sculptors. Among these artists, it is perhaps the work of Thomas Banks (1735-1805) which most closely resembles this piece. Banks, who was a life-long friend of Henry Fuseli, studied in Rome for seven years. His reliefs of The Death of Germanicus, at Holkham Hall, and the Monument to Mrs. Petrie, at Lewisham (Whinney, locs. cit.) are relevant comparisons.

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