Louis-François Cassas (1756-1827)

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Louis-François Cassas (1756-1827)

A View of the Acropolis, Athens, from the Temple of Zeus at Olympia

inscribed 'Vue générale d'Athénes, prise au delà du Panthéon d'Adrien. A gauche la colline du Musée, couronnée par le monument de Caius Philopapus; Dans le fond et du même coté, del temple de Thésée dominant une petite partie de la ville moderne; Derrière les trois colonnes on apperçoit le Thêâtre de Bacchus où se représentaient les pièces d'Euripide et Sophocles. Le milieu du dessin en occupé par la Citadelle, le temple de Minerve, les Propylées et une partie du Temple d'Erechtée tenant au Parthénon. Au dessous des murailles on distingue le petit monument choragique de Thrasillus et le Cadron Solaire. Derrière le groupe de colonnes du premier plan se voit l'arc de Thesée et tout à fait à droite l'hippodrome, L'Illissus et une partie du mort hymète. A l'horizon se découvre la cîme des monts Pentheliques' and with inscription 'L.F: Cassas. Vue générale d'Athenes.' on the mount;black lead, pen and black ink, watercolour
197 x 287mm.

Lot Essay

Cassas left Istanbul on 20 October 1786 and returned to Rome in February 1787. It is impossible to know the exact date of his visit to Athens but it is documented by the present composition and known through a larger version in the Musée des Beaux-Arts, Tours (Louis-François Cassas, exhib. cat., 1994, no. 65, illustrated) and in a picture now in a private collection, England.
The three works show minor differences in their compositions, although all of them depict the same architectural details and display the same archeological accuracy.
Cassas had been travelling to Turkey with the French Ambassador, the Comte de Choiseul Gouffier, along with a team of scientists and archeologists, among whom was Fauvel. The project of a book, Le voyage pittoresque de la Syrie, de la Phênicie, de la Palestine et de la Basse Egypte illustrated by Cassas and written by the ambassador, was never completed due to the Revolution. Choiseul Gouffier emigrated to Russia and in 1791 Cassas returned to France.
In fact no illustrations of Athens were planned for the Voyage Pittoresque, a lacuna which seems to have been quite common among late 18th Century artists travelling to Greece. Cassas was the only Frenchman before 1821 to have left Athens with such finished views. The details of the mosque in the Parthenon and the little houses on the side of the Acropolis are rare testimonies of this city in this period.

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