AN ENAMELLED GOLD REPLICA OF THE HOLY THORN RELIQUARY

ATTRIBUTED TO SALOMON WEININGER, LATE 19TH CENTURY

Details
AN ENAMELLED GOLD REPLICA OF THE HOLY THORN RELIQUARY
ATTRIBUTED TO SALOMON WEININGER, LATE 19TH CENTURY
Set with natural pearls, green beryls and a sapphire the central scene behind a rock crystal panel, with an enamelled banner inscribed in gothic lettering 'Ista est una spinea corone domini nostri jhesu cristi'; the reverse with two hinged doors with enamelled figures of St. George and Christopher opening to reveal a recess with a rock crystal cover
Minor losses and repairs
11 5/8in. (29.5cm.) high
Provenance
Almost certainly acquired by John Patrick, 3rd Marquess of Bute (1847-1900), either for Cardiff Castle or Mount Stuart.

Lot Essay

The Reliquary of the Holy Thorn is a highly important example of goldsmith and enamel work, and forms part of the Waddesdon Bequest in the British Museum. It was originally in the Schatzkammer in Vienna, but was entrusted to Salomon Weininger for restoration in the 1860s. Weininger, an antique dealer, copied the reliquary and sent the replica back to the officials in Vienna, who attributed the difference in its appearance to the work which had been carried out. The original reliquary eventually entered the collection of Baron Anselm de Rothschild, by whom it was given to the British Museum.

A silver version of this reliquary, also attributed to Weininger, was recently offered for sale in London (Sotheby's, 5 December, 1993, lot 263). The appearance of this example in gold is evidence of the extent of the demand for 'medieval' works of art in the late 19th and early 20th centuries.

More from Works of Art from the Bute Collection

View All
View All