Lot Essay
Paseas, formerly known as the Kerberos Painter, flourished from 520-510 B.C. (see J. Boardman, JHS 1955, p.154 for his name) and painted in both black-figure and red-figure technique. This early red-figure lekythos is highly unusual in shape and decoration. The potter evidently experimented here, combining relatively new forms with older elements e.g. the horizontal shoulder and flat foot which are typical of earlier black-figure lekythoi. Exceedingly unusual are the moulded ring below the echinus mouth and the semicircular form of handle. The resultant overall shape is probably unparalleled. The shoulder and neck decoration are usually separate on lekythoi but here occupy the same field spreading over both areas. Also notable is the palmette formation under the handle - rare on red-figure lekythoi.
Cf. works by the Kerberos Painter: Greifenhagen, p.117ff, a lekythos in the Staatliche Museum, Berlin (Inv. no. 1960,32) showing a barbiton player with similar drapery and treatment of hair and face; MuM 22, 1961, pl. 48 no. 157, for the pose of the left-hand figure; Boardman ARFH, no. 16; and CVA, Greece 1, Athens 1, III 1c, pl,2,7,8 [ARV, p.163 no. 13] an alabastron with linked double dots below scene
Cf. works by the Kerberos Painter: Greifenhagen, p.117ff, a lekythos in the Staatliche Museum, Berlin (Inv. no. 1960,32) showing a barbiton player with similar drapery and treatment of hair and face; MuM 22, 1961, pl. 48 no. 157, for the pose of the left-hand figure; Boardman ARFH, no. 16; and CVA, Greece 1, Athens 1, III 1c, pl,2,7,8 [ARV, p.163 no. 13] an alabastron with linked double dots below scene