THE PROPERTY OF A LADY
AN ANTWERP REPOUSSE GILTMETAL-MOUNTED RED TORTOISESHELL, EBONY AND PARQUETRY CABINET-ON-STAND

LATE 17TH CENTURY

Details
AN ANTWERP REPOUSSE GILTMETAL-MOUNTED RED TORTOISESHELL, EBONY AND PARQUETRY CABINET-ON-STAND
Late 17th Century
Each drawer decorated with two lobed quatrefoils within acanthus scrolls and centred by grotesque masks surrounded by a ripple-moulded edge, the breakfront ripple-moulded cornice above foliate trails and a central frieze drawer, the clock with a circular enamelled dial with Roman and Arabic chapters and pendulum centred by a bust of a nobleman, surmounted by two dolphins flanked by two shell-blowing tritons and a medallion centred by a mask and surrounded by acorn finials, the angles with two music-making putti, above a shallow drawer with conforming decoration and two doors with three detached pilasters with pierced foliate bases and Corinthian capitals, the doors with a shaped central cartouche within scrolling foliage and fruits surmounted by a scallop-shell and with cherubs to the angles, enclosing to the reverse fitted raised bevelled mirrors and an interior of a columned recess with a figure playing the bagpipes in an arcaded recess, flanked by two youths above a font and surrounded by four medallions, surrounded by thirteen small drawers with conforming decoration and mother-of-pearl handles and with a parquetry interior, above a further drawer with three volutes centred by rectangular panels, flanked by five short drawers and scrolling pilasters with a grotesque mask issuing a palmette above a caryatid figure and further grotesque masks, the sides with sunk panels of geometric parquetry, the stand with ripple-moulded edge above three frieze-drawers divided by vases of flowers, on six ebonised Solomonic supports joined by a concave-fronted flat box stretcher and on bun feet, the movement of the clock engraved to the reverse Augustus Kohler Thurner in Oberhause, one drawer with old paper label inscribed in black ink THE CABINET BELONGED TO LOUIS THE SIXTEENTH WAS TAKEN FROM THE LOUVRE AT THE TIME OF THE REVOLUTION AND AFTERWARDS ..... TO EDINBOROUGH ...WAS SOME YEARS AT HOLYROOD HOUSE-, the reverse with depository label R. P. Over & Son's Ltd/..Dent & Reece 18-5-46 Cabinet only Camberley, Surrey., the putti with losses, later legs, feet and stretcher, previously with balustraded gallery, restorations and replacements
65¼in. (166cm.) wide; 76¼in. (194cm.) high; 20½in. (52cm.) deep
Provenance
By repute Louis XVI, Palais du Louvre, although more probably Louis XVIII, removed to Holyrood House, Edinburgh

Lot Essay

Antwerp cabinets first appear around 1600. Usually designed by merchants who sold them to their clients, these cabinets were enormously popular in 17th Century Europe and were even exported as far as South America.

Such cabinets could be ordered through a network of agents living throughout Europe, including Paris, Vienna and Munich, representing merchants such as Forchonott, Masson and Peter van Haecht, who subsequently commissioned the cabinets from ébénistes such as Michel Verbirt, Dirk Topts or Nicolas Verbert. The giltmetal, silver and copper was similarly supplied metalsmith like Moemans and Somers.

Further related examples include a cabinet, retaining its original balustrade from Glemham Hall illustrated in C. Hussey, Glemham Hall, Country Life, 1 January 1910, which another cabinet in the collection of the Duke of Richmond and Gordon at Goodwood House, Sussex was reputedly given by Charles II.

A related cabinet on giltwood stand was sold anonymously at Sotheby's New York, 16 May 1987, lot 134, while a similar cabinet with later stand and smaller proportions from the château de Beloeil was sold by the Prince de Ligne, Sotheby's London, 9 December 1994, lot 90.

Holyrood House was placed at the disposal of Louis XVIII from 1796 to 1814 and Charles X from 1830 to 1832 by George Prince of Wales later George IV and William IV respectively.

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