A REGENCE ORMOLU-MOUNTED AND BRASS-INLAID EBONY AND BROWN TORTOISESHELL COMMODE

Details
A REGENCE ORMOLU-MOUNTED AND BRASS-INLAID EBONY AND BROWN TORTOISESHELL COMMODE
Attributed to Noël Gérard
With a slightly bowed rounded rectangular top centred by an oval with a scene from Ovid's Metamorphoses, with King Midas, Apollo and Pan before a lake decorated in pewter with two swans, flanked by foliate strapwork and panels of flower-encrusted latticework with butterflies, birds and squirrels, the corners with flower-vases with moulded rim above two short and one long drawer and two further short drawers flanking a recessed shaped drawer, each decorated with foliate scrolls flanking flower vases and divided by brass flutes, the bottom two drawers flanked by gadrooned mounts, the angles with pierced foliate mounts cast with berried leaves and scallop-shells suspended from lion-masks, the shaped sides divided into three panelled sections by brass flutes and with conforming decoration, with waved apron to the sides centred by a mask of the Wind, on angled bracket feet with scrolled sabots terminating in a crouching lion-mask, restorations, the Boulle marquetry with signs of a previous parquetry veneer à quatre faces underneath, the existing Boulle veneer therefore later but conceivably 18th Century, formerly but not originally with a drawer to the centre between the top drawers and with additional Boulle marquetry to the frame and with further mounts to the central lower recess
48½in. (123cm.) wide; 34¾in. (88.5cm.) high; 25½in. (65cm.) deep
Provenance
Robert Hoe (1839-1909), sold at the American Art Association, New York, 15 February - 3 March 1911, lot 3,000. Robert Hoe, one of the early American collectors of works of art and books, was the first president of the Grolier Club in New York, and a founder of the Metropolitan Museum of Art, New York
Private Collection, Massachusetts

Lot Essay

A number of commodes are known which show strong similarities to this commode. These include a group of four two-drawer commodes of very similar form, of which three have almost identical boulle marquetry decoration, and with very similar mounts. One, in palisander, which was sold from the collection of Mme. Camoin, Drouot, Paris, 2 April 1987, lot 133, is stamped N.G. for the ébéniste Noël Gérard, active 1710-36, which forms the basis for the attribution of this group to this maker. The other examples include one sold from the Koutschoubey Collection, Drouot, Paris, 13-16 June 1906, lot 382, one sold Sotheby's, Monaco, 26 June 1983, lot 290 and another in the collection of the Marquess of Bath at Longleat House, Wiltshire. Very similar boulle marquetry decoration also appears on another group of three drawer commodes, including one with the same scene on the top but in reverse, offered anonymously at Christie's Monaco, 5 December 1992, lot 50. Another, from the collection of the duchesse de Talleyrand, was sold Sotheby's Monaco, 14-15 June, 1981, lot 149. A further example in the Keck collection was sold Sotheby's New York, 6 December 1991, lot 245.
A very similar pair of commodes in the collection of the Earl of Harrowby, Sandon Hall, Staffordshire, are illustrated 'Sandon Hall, Staffordshire', Country Life, 13 June 1991, p. 180.
It is interesting to note that very similar mounts to those on the angles of this commode are described in the Inventory after the death of André-Charles Boulle in 1732, as follows:
No 50. Une boeste de modeles de grands feuillages, masques de fauve, mufles de lion et autres ornemens cizeles pour des commodes pezans ensemble trente-cinq livres-et demy, prises a raison de trente-cinq sols la livre.
and
No 51. Une boeste de modeles de masques et mufles de lions et supports anciens cizeles pesant unze livres prises a raison de vingt-quatre sols la livre..
(J. P. Samoyault, André-Charles Boulle et sa Famille, Paris, 1979, p. 142)

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