THE PROPERTY OF AN INSTITUTION (Lots 332-334)
A GEORGE III MAHOGANY, HAREWOOD, SATINWOOD AND TULIPWOOD URN

Details
A GEORGE III MAHOGANY, HAREWOOD, SATINWOOD AND TULIPWOOD URN
The domed hinged top inlaid with oak leaves and acorns, with an ormolu pinecone finial, above a guilloche frieze, the tapering body inlaid with simulated fluting above stiff-leaves, on a spreading socle and square plinth with joined roundel band, minor restorations, with typed label on the inside JAMES., and copper inventory number on the base embossed 201, the pinecone finial probably later
17in. (43cm.) high
Provenance
William Dodge James, Esq.
Literature
P. Macquoid, The Age of Satinwood, London, 1908, fig. 140

Lot Essay

The thyrsus-finialed vase of egg-shaped and wine-krater form with trompe l'oeil fluted bowl wrapped by palms, has a domed lid wreathed by imbricated paterae and festooned with oak, sacred to Jupiter and emblematic of hospitality. A pair of similar cutlery-urns, with shaft-supported lids of different shape, but almost certainly executed by the same cabinet-maker, were acquired in 1870 by the Victoria & Albert Museum (illustrated in M. Tomlin, Catalogue of Adam Period Furniture, London, 1982, p. 194, W/1 and R. Edwards and P. Macquoid, The Dictionary of English Furniture, London, rev. ed., 1954, vol. II, p. 276, fig. 7). Its form relates to the celebrated 'egg-vase' introduced at the Sèvres factory in 1766 and associated with the ancient symbol of the world (A. Sassoon, Vincennes and Sèvres Porcelain, California, 1991, no. 19). Other egg-vase cutlery-boxes were executed in the 1770s in ormolu-enriched tôle by Matthew Boulton of Soho, Birmingham. A pair are illustrated in L.Synge, Mallett's Great English Furniture, London, 1991, p. 211 and 213, fig. 247.
A similar urn-shaped satinwood tea-caddy was sold anonymously, Christie's South Kensington, 13 April 1994, lot 97.

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