THE PROPERTY OF A NOBLEMAN
Juan de la Corte (1597-1660)

Achilles confronting Hector outside Troy

Details
Juan de la Corte (1597-1660)
Achilles confronting Hector outside Troy
oil on canvas
77 1/8 x 121 5/8in. (195.9 x 309.2cm.)
Provenance
Possibly painted for Fray Alonso de Santo Tomas, Bishop of Málaga, an illegitimate son of King Philip IV and patron of the arts, who built Finca El Retiro, Málaga.
The Marqués de Villalcázar de Sirga, Finca El Retiro, Málaga, by 1794, and by descent to the present owner.
Literature
A. Ponz, Viaje de España, XVIII, 1794, p. 235 (ed. Madrid, 1947, p. 1645) 'Hay unos cuantos quadros de Juan de la Corte, que representan diversos sucesos de armas en el cerco de Troya'.
F.J. Sánchez Cantón, Victorias de Carlos V. Serie de cuadros de la Embajada de España en Londres, Boletín de la Real Academia de la Historia, 1944, p. 97.
F.J. Sánchez Cantón, Pinturas y Esculturas de colecciones malagueñas, Madrid, 1944, p. 11.
M.S. Soria, Velázquez and the Vedute Painting in Italy and Spain 1620-1750, Arte Antica e Moderna, 1961, p. 441.
D. Angulo Iñiguez and A.E. Pérez Sánchez, Historia de la Pintura Española: Escuela Madrileña del primer Tercio del Siglo XVII, Madrid, 1969, p. 355, no. 16 or 18.

Lot Essay

Regrettably little documentation has survived concerning Juan de la Corte, who was born in Flanders but already active as a painter in Madrid in 1613. Royal inventories show that he was regularly employed by the Spanish court. He covered a remarkably wide range of subject matter, from religious, biblical and mythological themes and ancient history to battle scenes, landscapes, views of Madrid and portraiture. Palomino describes him as a 'muy buen pintor de países, batallas y perspectivas' and when the artist applied for the position of court painter in 1629 he introduced himself as a painter of architecture and battle scenes.

The present picture formed part of a series of eight scenes of the Trojan War. Soria, loc. cit., recorded in 1961 that all 'eight paintings, 195 x 311, still hang in the stairway [at Finca El Retiro] but are hard to photograph'.

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