拍品专文
This snuff-box, one of four examples known, was probably produced with a didactic object in mind.
The quotations from Dante on the ends of the box, though written many years before, describe the two groups of figures on the exterior and interior of the cover. For a lengthy discussion and identification of the personages depicted see Barbara Beaucamp-Markowsky, op. cit. (1985), pp. 521-523, no. 479, where the example in the Villa Floridiana is illustrated. The same box is illustrated by Leonardo Ginori Lisci, La Porcellana di Doccia (1963), pl. XL, Ginori Lisci lists the three other examples known.
No satisfactory explanation has as yet been put forward as to the production of four identical snuff-boxes depicting such a recondite subject. Four identical snuff-boxes are without parallel and would suggest that they were made for the members of a dining club or philosophical society.
The quotations from Dante on the ends of the box, though written many years before, describe the two groups of figures on the exterior and interior of the cover. For a lengthy discussion and identification of the personages depicted see Barbara Beaucamp-Markowsky, op. cit. (1985), pp. 521-523, no. 479, where the example in the Villa Floridiana is illustrated. The same box is illustrated by Leonardo Ginori Lisci, La Porcellana di Doccia (1963), pl. XL, Ginori Lisci lists the three other examples known.
No satisfactory explanation has as yet been put forward as to the production of four identical snuff-boxes depicting such a recondite subject. Four identical snuff-boxes are without parallel and would suggest that they were made for the members of a dining club or philosophical society.