NATHANIEL ROGERS (1788-1844)

A Mother and Son; she, facing left in cream-coloured dress with high lace collar, a red stole around her shoulders, her dark hair curled and upswept, seated and her son, in white dress with curling blond hair, holding the red stole

Details
NATHANIEL ROGERS (1788-1844)
A Mother and Son; she, facing left in cream-coloured dress with high lace collar, a red stole around her shoulders, her dark hair curled and upswept, seated and her son, in white dress with curling blond hair, holding the red stole
dated and inscribed 'Pinx June 4.. 1814 Dec. Jun 26.. 1825' (mid-right)
oval, 2 13/16 in. (71 mm.) high, silver-gilt frame with cast foliate border, the reverse with off-centre aperture with lock of hair and engraved 'Where is my beloved Son ? Does he read his Bible? Does he Pray ?'

Lot Essay

Nathaniel Rogers was one of New York's leading miniaturists of the early 19th Century. While recovering from a knee injury, he began copying prints and miniatures and was soon painting small scale portraits. He was apprenticed to Joseph Wood (1778-1830) and by 1812 he had opened his own studio. T. S. Cummings (Historic Annals of the National Academy of Design from 1825 to the Present Time, Philadephia, 1865, p. 185) records that Rogers painted 'most of the fashionables of his day'.

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