THE PROPERTY OF A LADY
A German white marble figure entitled 'The Listening Faun', and pedestal

BY ROBERT CAUER THE ELDER, DATED 1887

Details
A German white marble figure entitled 'The Listening Faun', and pedestal
By Robert Cauer the Elder, Dated 1887
Wearing a goatskin, sat leaning against a tree-stump, holding his pipes in his right hand, on a naturalistic base carved with a lizard, signed R. Cauer Roma 1887, on an octagonal marble pedestal, with stepped top and base and with fluted and panelled sides
The figure: 34½in. (87.6cm.) high
The pedestal: 38½in. (97.7cm.) high
Literature
COMPARATIVE LITERATURE:
Kunst für Alle, Vol. 8, 1892-3, p. 237.
A. Tesch, Die Bildhauerfamilie Cauer, Bad Kreuznach, 1977.
E. Masa, Die Bildhauerfamilie Cauer im 19. und 20. Jahr-hundert, Berlin, 1989, pp. 113-152.
P. Bloch, Sibylle Einholz and Jutta von Simson, Ethos und Pathos: Die Berliner Bildhauerschule, 1786-1914, Berlin, 1990, p. 67.

Lot Essay

The son of Emil Cauer the Elder and a member of the large German family of sculptors, Robert Cauer the Elder was born in Dresden in 1831. After studying at the Academy of Art in Dusseldorf from 1851 to 1855 under Wilhelm von Schadow, Cauer joined his father and elder brother, Karl, and worked in the family studio in Kreuznach. There he continued the series of works begun by his father based on the fairy tale characters of the Grimm brothers, executing works such as Sleeping Beauty, Snow White and Puss in Boots. On the death of Jakob and Wilhelm Grimm, in 1861 and 1863 respectively, Cauer felt a great sense of loss at losing not only friends, but also the source for much of the inspiration for his work at that time, and as a tribute, executed a double portrait of the brothers. The literary theme continued to be prevalent in Cauer's work throughout the late 1850s and 1860s, as he produced pieces based on the characters of Goethe (d.1832) such as Hermann and Dorothea, Paul and Virginie and Lorelei. In 1870, Cauer, together with his brother Karl, set up an atelier in Rome. Remaining there until 1889, this period of Cauer's career was to be the most productive and successful.

The present work, entitled Der Lauschender Faun, was carved by Cauer in 1887, during the latter years of his stay in Rome. It is not known how many times the sculptor produced the composition, but a larger version, now in a private collection, bears the date 1889 (Masa, op cit., p. 139).

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