細節
Ugolino de Nerio* (active 1st half of the Fourteenth Century)
The Madonna and Child enthroned with Saint Peter, an unknown Male Saint, and four attendant Angels; the Crucifixion above
tempera on gold ground panel--pointed top
painted surface 23 x 9 5/8in. (58. x 24.6cm.)
The Madonna and Child enthroned with Saint Peter, an unknown Male Saint, and four attendant Angels; the Crucifixion above
tempera on gold ground panel--pointed top
painted surface 23 x 9 5/8in. (58. x 24.6cm.)
來源
Possibly Church of Santa Eugenia, Siena.
with Grassi, 1924 (according to a note on a photograph at I Tatti).
Mortimer L. Schiff; Christie's, London, June 24, 1938, lot 67 as School of Duccio (300gns to Smith).
Florence J. Gould; (+), Sotheby's, New York, April 25, 1985, lot 88 as Follower of Duccio.
with Grassi, 1924 (according to a note on a photograph at I Tatti).
Mortimer L. Schiff; Christie's, London, June 24, 1938, lot 67 as School of Duccio (300gns to Smith).
Florence J. Gould; (+), Sotheby's, New York, April 25, 1985, lot 88 as Follower of Duccio.
出版
R. Offner, Italian Pictures of the New York Historical Society and Elsewhere, Part II, Art in America, VII, 1919, p. 195 as by Ugolino-Lorenzetti follower.
R. van Marle, The Development of the Italian Schools of Painting., II, 1924, p. 156, note 2 as School of Segna di Bonaventura.
B. Berenson, Missing Pictures of the Sienese Trecento, International Studio, XCVII, Oct. 1930, p. 31, fig. 5 as School of Duccio, showing affinities to Ugolino.
B. Berenson, Quadri senza Casa - Il Trecento Senese I, Dedalo, XI, Oct. 1930, pp. 263 and 267 illustrated, as School of Duccio.
G. Coor, Contributions to the Study of Ugolino di Nerio's art, Art Bulletin, XXXVII, 1955, p. 159, as Follower of the Badia a Isola Master and Ugolino.
B. Berenson, Homeless Pictures of the Renaissance, 1969, p. 22, pl. 12.
M. Meiss, Painting in Florence and Siena after the Black Death, 1951, p. 149, note 69.
J.H. Stubblebine, Duccio di Buoninsegna and his School, 1979, I, p. 189; II, fig. 472 as follower of Ugolino
J. Pope-Hennessy, Learning to Look, 1991, p. 313.
R. van Marle, The Development of the Italian Schools of Painting., II, 1924, p. 156, note 2 as School of Segna di Bonaventura.
B. Berenson, Missing Pictures of the Sienese Trecento, International Studio, XCVII, Oct. 1930, p. 31, fig. 5 as School of Duccio, showing affinities to Ugolino.
B. Berenson, Quadri senza Casa - Il Trecento Senese I, Dedalo, XI, Oct. 1930, pp. 263 and 267 illustrated, as School of Duccio.
G. Coor, Contributions to the Study of Ugolino di Nerio's art, Art Bulletin, XXXVII, 1955, p. 159, as Follower of the Badia a Isola Master and Ugolino.
B. Berenson, Homeless Pictures of the Renaissance, 1969, p. 22, pl. 12.
M. Meiss, Painting in Florence and Siena after the Black Death, 1951, p. 149, note 69.
J.H. Stubblebine, Duccio di Buoninsegna and his School, 1979, I, p. 189; II, fig. 472 as follower of Ugolino
J. Pope-Hennessy, Learning to Look, 1991, p. 313.