THE PROPERTY OF A EUROPEAN COLLECTOR
Jean Leon Gerome (French, 1824-1904)

Details
Jean Leon Gerome (French, 1824-1904)

Arnaute fumant

signed 'J. L. Gerome'--oil on panel
14 x 9 7/8in. (35.5 x 25cm.)
Provenance
Anon.; sale, Christie's, January 19, 1968, lot 85 (bt. 350 gns.)
James Coates, New York
Mr. and Mrs. Joseph Tannenbaum, Toronto
Coral Petroleum; sale, Sotheby's, New York, May 22, 1985, lot 43 (bt. $120,000)
With Galeria d'Orsay, Paris
Literature
G. Ackerman, The Life and Works of Jean-Léon Gérôme, London, 1986, no. 158, pp. 218-9 (illustrated)
E. Strahan (E. Shinn), Gérôme: A Collection of the Works of J. L. Gérôme in One Hundred Photogravures, New York, 1881-83, Section II (illustrated)
Paris Photographs:Gérôme Oeuvres, Paris, Bibliothèque Nationale, Cabinet des Estampes, 28 volumes of mounted photographs of Gérôme's paintings and sculptures, the gift of his widow, vol. XVII L. Thornton, Les Orientalistes: Peintres voyageurs 1828-1908, Paris, 1983, p. 119 (illustrated)
Exhibited
Ottawa, The National Gallery of Canada, The Other Nineteenth Century: Painting and Sculpture in the Collection of Mr. and Mrs. Joseph M. Tannenbaum, 1978, exh. cat. no. 35 (illustrated)

Lot Essay

The Arnauts were the Albanian mercenaries retained by Muhammed Ali, the Pasha of Egypt from 1805-1848 who was himself an Arnaut. Their presence was intended to counter the power held by the Beys and the Mamluks. Evert Shinn said of the painting: "Another of M. Gérôme's favorite white-petticoated Arnauts is here smoking in the corner of his café, buried in that idle reverie so dear to the Hooreyehs, who shall welcome him into Paradise."