A RUSSIAN PAN-SLAVIC STYLE SILVER-MOUNTED ART POTTERY VASE

Details
A RUSSIAN PAN-SLAVIC STYLE SILVER-MOUNTED ART POTTERY VASE
THE MOUNT MARKED K. FABERGE WITH IMPERIAL WARRANT, MOSCOW, 1908-1917, THE VASE WITH IMPRESSED IMPERIAL EAGLE, IMPRESSED CYRILLIC S.U. WITHIN A CIRCLE FOR THE STROGANOV INSTITUTE, AND IMPRESSED DATEMARK FOR 1904

Of baluster form, the bronze and celadon crackle-glazed vase mounted with a collar depicting two bogatyr warriors on horseback carrying shields with the Imperial eagle, linked by pan-slavic style decorative motifs, the rim engraved 1911, and with the monogram OMT
12½ in. (32 cm.) high

Lot Essay

Fabergé executed a number of pieces of silver-mounted art pottery at the end of the 19th and beginning of the 20th century, several of which, including a doulton pottery vase currently in the collection of the Pavlovsk Palace Museum mounted with sweet peas, were made for the Empress Alexandra Feodorovna, whose taste leaned markedly towards the Art Nouveau.

While the Art Nouveau movement flourished in France, Russia saw a similar group of artists such as Vrubel' and Vasnetsov who looked towards Russia's medieval past and translated the ancient motifs into a 20th century Russian aesthetic movement. The Pan-slavic style is seen in the offered lot as Fabergé's mounts in the ancient taste blend with the Stroganov School's inventive glazing of celadon and tarnished silver. This synthesis is typical of works of art in this style from Fabergé's workshops.