AUGUSTE HERBIN (1882-1960)

Route et montagnes en Corse [Landscape in Corsica]

Details
AUGUSTE HERBIN (1882-1960)
Route et montagnes en Corse [Landscape in Corsica]
signed bottom right 'Herbin'
oil on canvas
21¾ x 18 in. (55.3 x 46 cm.)
Painted in 1907
Provenance
Galerie Neupert, Zurich
Marlborough Fine Art, Ltd., London
Galerie des Arts Anciens et Modernes, Schaan, Liechtenstein
Acquired from the above by Mr. Joseph H. Hazen on Nov. 29, 1957
Literature
G. Claisse, Herbin: Catalogue raisonné de l'oeuvre peint, Lausanne, 1993, p. 298, no. 108 (illustrated)
Exhibited
London, Marlborough Fine Art, Ltd., XIX and XX Century European Masters, summer, 1957
Cambridge, Massachusetts, Fogg Art Museum, Paintings from the Collection of Joseph H. Hazen, Oct.-Dec., 1966, no. 44. The exhibition traveled to Los Angeles, University of California, The Art Galleries, Jan.-Feb., 1967; Berkeley, University of California, Art Museum, Feb.-March, 1967; Houston, Museum of Fine Arts, April-May, 1967, and Honolulu, Academy of Arts, June-Aug., 1967.

Lot Essay

At the invitation of Wilhelm Uhde, Herbin spent the spring of 1907 on the island of Corsica. During this Mediterranean sojourn, Herbin executed around fifteen canvases of the surrounding landscape, painting the trees and the mountains, the ports and the quais, and the sunny streets of Corsica. With its vibrant colors and vigorous brushwork, the present picture typifies Herbin's Corsica series, inspired by the high-key Fauve scenes which artists like Derain, Matisse and Braque had been painting since 1905 in such Southern cities as Collioure, Saint Tropez, La Ciotat and L'Estaque. Route et montagnes en Corse is a dazzling mosaic of color, "instinctive and decorative...elegant, allusive, paradoxical and sun-drenched," as critic Denys Sutton described the art of the Fauves. (D. Sutton, André Derain, London, 1959, p. 20) Posing a sharp contrast to the relatively sober, restrained scenes of Lille and Paris which Herbin executed in the first few years of the century, the luminous Route et montagnes suggests the unfettered delight which the artist took in the brilliant Southern light of Corsica.