Reg Butler (1913-1981)

Man and Machine

Details
Reg Butler (1913-1981)
Man and Machine
stamped with monogram and foundry mark on the back of the base of the man 'RB Morris Singer FOUNDERS LONDON', numbered on the front '5/8'--stamped with monogram and foundry mark and numbered on the top of the base of the machine 'RB Morris Singer FOUNDERS LONDON 5/8'
bronze with brown patina
Height of man: 16in. (40.6cm.)
Height of machine: 38 3/8in. (97.5cm.)
Cast before 1963; number five in an edition of eight
Provenance
Hanover Gallery, London (acquired by the present owner, 1963)

Lot Essay

Butler was working as an architect when the Second World War broke out. He became a conscientious objector and spent the war years working as a blacksmith and repairing farm equipment. At the end of the war he resolved to become a sculptor. Butler's early sculpture is predominantly linear in conception. In contrast, his later works, including the present sculpture, are more monumental and naturalistic. However, there is a strong relationship between these two periods.

Man and Machine appears to be directly influenced by Butler's most famous sculpture, The Unknown Political Prisoner, 1952. The latter consists of a large linear tower flanked by three smaller figures who are the "watchers." Man and Machine is similar in conception; there is a monumental central structure with one "watcher" to the side. Butler utilizes a contrast of scale to reflect man's relationship to nature. "The great tower is intended as a landscape monument...[it is] larger than it would be decent to make a figure since Freud, Galileo and Newton cut the ground from under the feet of man as a god." (ed. The J. B. Speed Art Museum, Reginald Butler, A Retrospective Exhibition, Louisville, 1963, n.p.)