Lot Essay
The present lot is still clearly painted under the influence of Thomas Hudson, with whom Wright trained from 1751-3 and again for a further fifteen months in 1756. As Nicholson points out (loc. cit., pp. 30-1), this is the artist's first full-length portrait. The setting, with the sitter placed in a landscape, was the starting point for his development of a major compositional scheme, culminating in 1770-1 with the portrait of Mr. and Mrs. Thomas Coltman, now in the National Gallery, London (Inv. no. 6496).