Lot Essay
For the artist and the attribution, see M. Natale and A. Morandotti, in F. Zeri, La natura morta in Italia, I, 1989, p. 213, fig. 246 and p. 215, note 103. As Mauro Natale points out (loc. cit.), Artioli's use of encaustic (paint made from pigment mixed with melted beeswax and resin, and after application fixed by heat) is part of a late 18th century Italian revival of interest in Roman wall-painting as a result of the excavations at Pompeii and Herculaneum which began in 1748 and 1738 respectively.