THE PROPERTY OF A LADY (lots 278-281)
AN EMPIRE ORMOLU SURTOUT-DE-TABLE

EARLY 19TH CENTURY

細節
AN EMPIRE ORMOLU SURTOUT-DE-TABLE
early 19th century
In five sections, with mirrored plateaux, the pierced gallery cast with feasting bacchic figures and trailing grape vines, interspersed with pedestals cast with musical trophies and grape-filled urns, the rim cast with laurel leaves, on twinned paw feet
146½in. (372cm.) long overall, 27in. (68½cm.) wide

拍品專文

This surtout-de-table derives from a design by Pierre-Philippe Thomire (1751-1843) of 1820 with similar feasting figures celebrating the glory of Bacchus, an appropriate subject for such a sumptuous dining room centerpiece (illustrated in H. Ottomeyer and P. Pröschel, Vergoldete Bronzen, 1986, vol. I, p. 388, no. 5.16.15).
Another related surtout de table also by Thomire made for Napoleon's brother Prince Lucien is at the Musée Marmottan, Paris (illustrated in M. Deschamps, Empire, 1994, p. 169).

Pierre-Philippe Thomire, the most celebrated bronzier-ciseleur of the Empire period, was born into a family of ciseleurs. He worked initially for the renowned bronziers Pierre Gouthière (1732-1813) and Jean-Louis Prieur (d. circa 1785-1790), ciseleur-doreur du roi, and quickly established a reputation for finely chased gilt bronzes.

In 1804, he purchased the business of Martin-Éloy Lignereux, marchand de dorure et meubles, at 41, rue Taitbout, which enabled him to expand his atelier dramatically, employing as many as 800 workers. He adapted well to the new severely classical style of the Empire period influenced by the designers Charles Percier and Pierre Fontaine in their Recueil de Décorations Interieurs (1812). The firm of Thomire, Duterme et Cie. produced a comprehensive range of high quality gilt bronze objects, including surtouts-de-table, candelabra, vases, clocks and cheminées. Thomire was also honored with the prestigious title of Ciseleur de l'Empereur.