A RARE HUANGHUALI LUOHAN BED WITH THREE-PANEL RAILING, LUOHANCHUANG

Details
A RARE HUANGHUALI LUOHAN BED WITH THREE-PANEL RAILING, LUOHANCHUANG
17TH CENTURY

The rectangular frame top, enclosing the soft-mat seat, above a high waist and plain, straight apron, supported on square legs terminating in low hoof feet, the single plank sides and back with rounded edges and central beaded rectangular design with indented corners, simulating frame-and-panel construction, the exterior surface with recessed centers and 'thumb-molded' borders, repairs at the back corners
31in. (79cm.) seat height, 75 5/8in. (192cm.) wide, 39 3/8in. (100cm.) deep
Literature
Sarah Handler, "Comfort and Joy: A Couch Bed for Day and Night", JCCFS, Winter 1991, p. 12, fig. 13
Wang et al., Masterpieces from the Museum of Classical Chinese Furniture, p. 10, no. 5

Lot Essay

Compare a luohan bed of similar proportions and design illustrated by Robert H. Ellsworth in Chinese Furniture, p. 143, no. 34, and now in the Astor Court, The Metropolitan Museum of Art, New York. A luohan bed with 'floating' panels and L-section 'cut-out' legs, formerly in the Alice Boney Collection, is illustrated by Ellsworth, op. cit., p. 142, no. 33, and is now in the Mimi and Raymond Hung Collection, Hong Kong. Another plain-paneled luohan bed with L-section 'cut-out' legs is illustrated by Gustav Ecke, Chinese Domestic Furniture, pl. 27, no. 21

Refer, also, to Sarah Handler's article "Wood Shaped and Standing through the Winds of Time: The Evolution of Chinese Furniture", included in the Catalogue of the exhibition, Beyond the Screen, edited by Nancy Berliner, pp. 42-43, where the origin of the couch bed is discussed, and it is suggested that they evolve from Han dynasty low platforms with screens on two or three sides

For a discussion of the multifarious uses of the couch bed in the Ming period, including sleeping, meditating and entertaining friends, see Sarah Handler, "Comfort and Joy: A Couch Bed for Day and Night", JCCFS, Winter 1991, pp. 4-19