拍品专文
Standing figures of this type, wearing the same kind of looped necklace gathered either by a rosette medallion or criss-crossed through a bi just below waist level, and wearing variations of the same kind of shawl, dhoti and jewelry, are in the Victoria Gallery of Art, Melbourne, illustrated by Willetts, Foundations of Chinese Art, New York, 1965, pl. 130; in the Museum of Art, Rhode Island School of Design, included in the exhibition, The Crawford Bequest, Brown University, February 6-March 14, 1993, Catalogue, no. 1; in the Morse Collection, included in the exhibition, Spirit and Ritual, The Metropolitan Museum of Art, 1982, no. 56, wearing additional, more elaborate jewelry and dated Northern Qi/Sui dynasty; and three illustrated by Matsubara, The Path of Chinese Buddhist Sculpture, vol. 2, Tokyo, 1995, pls. 476 a and b, and 477, all dated Northern Qi
A slightly earlier, but quite similar version of this figure, can be seen in the central figure of a stone stele dated to the Northern Wei dynasty, excavated at Luoyang and illustrated in Wenwu, 1984:5, pl. 4, fig. 3
A slightly earlier, but quite similar version of this figure, can be seen in the central figure of a stone stele dated to the Northern Wei dynasty, excavated at Luoyang and illustrated in Wenwu, 1984:5, pl. 4, fig. 3