Laurels Number One, New York, Laurels Gallery, 1947
Details
Laurels Number One, New York, Laurels Gallery, 1947
the complete set of six signed prints, hors-texte, title, text and justification, on various papers, copy 32 of 300, with full margins, bound as issued, the Miro, Ryan and Hayter taped to the support sheets with cellophane tape at the reverse of the top margin edges as issued, faintly showing through, pale time staining, minor offsetting on the text sheets only, otherwise in very good condition, original interleaving tissues, screenprinted and hand-colored blue hand-made cover, beige paper-covered boards with stamped title (one ribbon tie detached). 425 x 335mm.
the complete set of six signed prints, hors-texte, title, text and justification, on various papers, copy 32 of 300, with full margins, bound as issued, the Miro, Ryan and Hayter taped to the support sheets with cellophane tape at the reverse of the top margin edges as issued, faintly showing through, pale time staining, minor offsetting on the text sheets only, otherwise in very good condition, original interleaving tissues, screenprinted and hand-colored blue hand-made cover, beige paper-covered boards with stamped title (one ribbon tie detached). 425 x 335mm.
Further details
Including: JOAN MIRO, Femmes et oiseau devant la lune (D. 51; C. 10), etching; ANNE RYAN, Now ever a lake, My Master Dear, I Fear a Deadly storm, wood engraving in colors; STANLEY WILLIAM HAYTER, Night Moth (B. and M. 171), aquatint, engraving and etching in colors; REGINALD MARSH, Drum Majorette (S. 204), engraving; GEORGE CONSTANT, Grapes and a Pear, drypoint; WILL BARNETT, Strange Birds, lithograph.